All Andrea Mantegna Oil Paintings
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Andrea Mantegna Judit with Holofernes-head oil painting


Judit with Holofernes-head
Painting ID::  53700 		Artist: Andrea Mantegna
Painting: Judit with Holofernes-head
Introduction: mk234 about 1495 30x18cm
   
   
     

 

 

 
 

 

 

 
Andrea Mantegna Christ in Gethsemane oil painting


Christ in Gethsemane
Painting ID::  53701 		Artist: Andrea Mantegna
Painting: Christ in Gethsemane
Introduction: mk234 about 1460 63x81cm
   
   
     

 

 

 
 

 

 

 
Andrea Mantegna ecce homo oil painting


ecce homo
Painting ID::  55985 		Artist: Andrea Mantegna
Painting: ecce homo
Introduction: mk247 c.1500,tempera on canvas,21.25x16.5 in,54x42 cm,musee jacquemart-andre,paris,france
   
   
     

 

 

 
 

 

 

 
Andrea Mantegna ludovico ii gonzag moter sin son oil painting


ludovico ii gonzag moter sin son
Painting ID::  56628 		Artist: Andrea Mantegna
Painting: ludovico ii gonzag moter sin son
Introduction: mk248 freskernarna i camera degli sposi i bertigpalatset i mantua ar slaende exempel pa 1400-tllusionism.
   
   
     

 

 

 
 

 

 

 
Andrea Mantegna klagan over den dode kristus oil painting


klagan over den dode kristus
Painting ID::  56629 		Artist: Andrea Mantegna
Painting: klagan over den dode kristus
Introduction: mk248 mantegna bar ramat in ett begransat rum pa ett satt som rent arkitektoniskt definierar det som ett barbus ocb sin erfarenbet av klassiska modeller frmedelar ban genom kristusgestalten en imponerande strambet. hans masterliga forminskning gor ocksa att betraktaren uppmarksammar de genomborrade fotterna, oavsett ur vilken vinken vinkel verket betraktas. malade fran mantegnas modeller av vikt papper ocb fastklistrat tyg.
   
   
     

 

 

 
 

 

 

 
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     Check All Andrea Mantegna's Paintings Here!
     Italian 1431-1506 Andrea Mantegna Locations Mantegna was born in Isola di Carturo, close to Padua in the Republic of Venice, second son of a carpenter, Biagio. At the age of eleven he became the apprentice of Francesco Squarcione, Paduan painter. Squarcione, whose original vocation was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous compatriot Petrarca, Squarcione was something of a fanatic for ancient Rome: he travelled in Italy, and perhaps Greece, amassing antique statues, reliefs, vases, etc., forming a collection of such works, then making drawings from them himself, and throwing open his stores for others to study. All the while, he continued undertaking works on commission for which his pupils no less than himself were made available. San Zeno Altarpiece, (left panel), 1457-60; San Zeno, VeronaAs many as 137 painters and pictorial students passed through Squarcine's school, which had been established towards 1440 and which became famous all over Italy. Padua was attractive for artists coming not only from Veneto but also from Tuscany, such as Paolo Uccello, Filippo Lippi and Donatello. Mantegna's early career was shaped indeed by impressions of Florentine works. At the time, Mantegna was said to be a favorite pupil; Squarcione taught him the Latin language, and instructed him to study fragments of Roman sculpture. The master also preferred forced perspective, the lingering results of which may account for some Mantegna's later innovations. However, at the age of seventeen, Mantegna separated himself from Squarcione. He later claimed that Squarcione had profited from his work without paying the rights. His first work, now lost, was an altarpiece for the church of Santa Sofia in 1448. The same year Mantegna was called, together with Nicol?? Pizolo, to work with a large group of painters entrusted with the decoration of the Ovetari Chapel in the apse of the church of Eremitani. It is probable, however, that before this time some of the pupils of Squarcione, including Mantegna, had already begun the series of frescoes in the chapel of S. Cristoforo, in the church of Sant'Agostino degli Eremitani, today considered his masterpiece. After a series of coincidences, Mantegna finished most of the work alone, though Ansuino, who collaborated with Mantegna in the Ovetari Chapel, brought his style in the Forl?? school of painting. The now censorious Squarcione carped about the earlier works of this series, illustrating the life of St James; he said the figures were like men of stone, and had better have been colored stone-color at once. This series was almost entirely lost in the 1944 Allied bombings of Padua. The most dramatic work of the fresco cycle was the work set in the worm's-eye view perspective, St. James Led to His Execution. (For an example of Mantegna's use of a lowered view point, see the image at right of Saints Peter and Paul; though much less dramatic in its perspective that the St. James picture, the San Zeno altarpiece was done shortly after the St. James cycle was finished, and uses many of the same techniques, including the classicizing architectural structure.) San Luca Altarpiece, 1453; Tempera on panel; Pinacoteca di Brera, MilanThe sketch of the St. Stephen fresco survived and is the earliest known preliminary sketch which still exists to compare to the corresponding fresco. Despite the authentic look of the monument, it is not a copy of any known Roman structure. Mantegna also adopted the wet drapery patterns of the Romans, who derived the form from the Greek invention, for the clothing of his figures, although the tense figures and interactions are derived from Donatello. The drawing shows proof that nude figures were used in the conception of works during the Early Renaissance. In the preliminary sketch, the perspective is less developed and closer to a more average viewpoint however. Among the other early Mantegna frescoes are the two saints over the entrance porch of the church of Sant'Antonio in Padua, 1452, and an altarpiece of St. Luke and other saints (at left) for the church of S. Giustina, now in the Brera Gallery in Milan (1453). As the young artist progressed in his work, he came under the influence of Jacopo Bellini, father of the celebrated painters Giovanni and Gentile, and of a daughter Nicolosia. In 1453 Jacopo consented to a marriage between Nicolosia to Mantegna in marriage. . Related Artists to Andrea Mantegna : | John Pettie | BOUTS, Dieric the Elder | DERUET, Claude | Antoni Piotrowski | Adriaen van ostade |

 

 

 
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